Nadia Kiwan

Le projet

Titre : Mouvements sociaux féministes intersectionnels dans la France contemporaine

Mots-clés : Intersectionalité, féminismes, études décoloniales, mouvements sociaux, France

Sélection de publications :

• 2021, ‘A Disorienting sense of déjà-vu: Islamophobia and secularism in French public life’, Berkley Center for Religion, Peace and World Affairs, Georgetown University, 18 May; https://berkleycenter.georgetown.edu/responses/a-disorienting-sense-of-deja-vu-islamophobia-and-secularism-in-french-public-life
• 2020, ‘Creative Coexistence or Creative Co-resistance? Transcultural Complexity in the Work of Street Artist Combo' in Jewish-Muslim Interactions: Performing Cultures between North Africa and France, ed. by S. Everett and R. Vince Liverpool: Liverpool University Press.
• 2019, Nadia Kiwan, Secularism, Islam and public intellectuals in contemporary France, Manchester: Manchester University Press. 
• 2017, Nadia Kiwan, ‘Remembering on the City’s Margins: The Musée de l’histoire de l’immigration in Paris'. Journal of Contemporary European Studies, vol. 25, no. 4, pp. 426-440. 
• 2016, Nadia Kiwan, ‘Freedom of thought in the aftermath of the Charlie Hebdo attacks'. French Cultural Studies, vol 27, no. 3, pp. 233-244.
• 2016, Gibert, M-P & Kiwan, N. (2016). 'Artistic Identities and Professional Strategies: Francophone Musicians in France and Britain'. Modern and Contemporary France, vol 24, no. 3, pp. 253-269.
• 2014, Nadia Kiwan, ‘Moroccan Multiplicities: Performing Transnationalism and Alternative Nationalism in the Contemporary Urban Music Scene’, Cahiers d’études africaines, vol. 216, no. 4, pp. 975-997.